Books - catalogues .chapters

POL RIGAU, Marta. An Analysis of Fina Miralles’s Visual-Plastic and Poetic-Textual Work: The Tree as a Reflection of Her Cosmology. Bellaterra: Servei de Publicacions de la Universitat Autònoma de Barcelona, 2013. Doctoral thesis defended in 2012. ISBN 978-84-490-3386-5.

ANTICH, Xavier; POL RIGAU, Marta; DELGADO RUIZ, Manuel. Traversable Scenarios. Girona: Museu d’Art de Girona, 2007. ISBN 978-84-393-7447-3.

POL RIGAU, Marta (cur.). Migrations in Contemporary Art: Efímer’07. Girona: Ajuntament de Girona, 2007. 64 pp. ISBN 978-84-8496-043-0.

POL RIGAU, Marta (cur.). Woman-Tree. Girona: Fundació Espais d’Art Contemporani, 2005. Exhibition catalogue featuring works by Monique Bastiaans, Berlinde De Bruyckere, Mireya Masó, Fina Miralles, Shirin Neshat and Lezli Rubin-Kunda.

POL RIGAU, Marta (ed.). Creativity: The Explosion of Boundaries. Girona: Ajuntament de Girona; Universitat de Girona, 2004.

POL RIGAU, Marta (ed.). Visions of the Future. Girona: Ajuntament de Girona; Universitat de Girona, 2000.

POL RIGAU, Marta (cur.). Blindnesses. Girona: Museu d’Art de Girona; Casa de Cultura de Girona, 1997.

POL RIGAU, Marta. “The Blinded Dream of Transforming Reality into Permanence.” In: Blindnesses. Girona: Museu d’Art de Girona; Casa de Cultura de Girona, 1997, pp. 196–207.

POL RIGAU, Marta; VALLAURE, Jaime (eds. and coords.). Unnumbered: Action Art. Madrid: Círculo de Bellas Artes, 1996. Includes “Chronology 1985–1995,” compiled by Marta Pol Rigau and Jaime Vallaure.

POL RIGAU, Marta (cur.). Absences: A Series of Actions and Interventions. Girona: Casa de Cultura de Girona, 1996.

POL RIGAU, Marta. “Esther Ferrer’s Things.” In: Esther Ferrer’s Things. València: Plaerdemavida–Associació Feminista Quart, 1995. Catalogue containing photographic documentation of the performance.

POL RIGAU, Marta (cur.). Laterata: A Series of Actions and Interventions. Girona: Casa de Cultura de Girona, 1995.

Book chapters and contributions to collective volumes

POL RIGAU, Marta. “Espais and the Performance Art Cycles, 1992–2007.” In: Espais, an Artistic Phenomenon: A Journey through Contemporary Art in Catalonia (1987–2010). 2024, pp. 114–129.

POL RIGAU, Marta. “The Arboreal Conception of Fina Miralles’s Work.” In: FAXEDAS BRUJATS, Maria Lluïsa (ed.). Germinal: On the Work of Fina Miralles. Girona: Universitat de Girona, 2020, p. 69. ISBN 978-84-9984-523-4.

POL RIGAU, Marta. “The Artistic Moment: Banyoles, Creative Initiatives.” In: The 1960s versus the 1980s: Literature, Music and Visual Arts in Girona and Catalonia (1960–1980). 2003, p. 187.

POL RIGAU, Marta. “Thought and the Artistic Moment: One of a Thousand Possible Journeys through the Initiatives and Platforms of the New Arenas of Activity in the 1970s.” In: The 1960s versus the 1980s: Literature, Music and Visual Arts in Girona and Catalonia (1960–1980). 2003, p. 305 ff.

POL RIGAU, Marta. “Art, an Active Form of Knowledge.” In: Art at the End of the Twentieth Century. Girona: Universitat de Girona; Ajuntament de Girona, 2002, pp. 143–149. (Humanities; 14). ISBN 84-8458-129-2.

POL RIGAU, Marta. “The Letter as a Mirror of Existence.” In: BOSCH, Glòria (ed.). Will You Write Me a Letter? 2000, pp. 272–281. ISBN 84-393-5141-0.

POL RIGAU, Marta. “The Blinded Dream of Transforming Reality into Permanence.” In: BOSCH MIR, Glòria; PORTELL, Susanna (eds.). Blindnesses. 1997, pp. 196–207.

POL RIGAU, Marta. «Espais y los ciclos de arte de acción 1992-2007». En: Espais, un fenómeno artístico. Una travesía por el arte contemporáneo en Cataluña (1987-2010). 2024, pp. 114–129.